Showing posts with label poland. Show all posts
Showing posts with label poland. Show all posts

August 22, 2012

A Tale of Two Jans

It may or may not, to all of my three readers of this blog, be obvious that I just post stuff that fascinates me. I guess the hope is that others will find it fascinating as well.  Although it may not seem obvious, there may be a common thread linking everything if you look hard enough...

Today's fascination is stop-motion animation from behind the iron curtain.  I stumbled upon this Czech stop-motion gem from 1988 by Jan Švankmajer, in a somewhat unlikely place: it is currently streaming on Netflix.  I also found it so very strange that it was stumbled upon literally a day after I came across this stuff.  We had started watching the movie, and the pace at the beginning was so slow, and with very little dialogue.  I could see how some people have a hard time watching European films. I myself found the pace sucking me in, holding me in intrigue. You realize that you've been entranced and haven't moved a muscle.  The over-the-top foley, at first almost annoying, ended up just adding to the surreal state.




Then, also popping up seemingly randomly, I came across Polish stop-motion animation By Jan Lenica and Walerian Borowczyk. There are a few short films on You Tube, ranging from the late 50's to early 60's (!!!)

They can be pretty out there.  I am also really digging the music in this one...



If you see any similarities to Monty Python's Flying Circus, you're not wrong: their work influenced Terry Gilliam.  It also took me a minute to realize that this is the same Jan Lenica that was famous for his posters, some of which are on view at MoMA...





And this is a poster by fellow artist Franciszek Starowieyski that I am now obsessed with...


A bit about the fascinating history of Polish posters:

"By the end of the 1950's Socialist realism had been dumped in Polish art. The Graphic Arts Department at the Warsaw Academy of Fine Arts divided its areas of instruction into fine arts, visual communications, applied arts, and poster art. It helped, thereby, to establish what is known as the Polish Poster School.

Many of their posters were commissioned to advertised events, and that they did. But, almost always, there is an underlying dig at some aspect of society. It seems that the Polish poster artist will take any chance they can to express the frustrations they, and their audience share about the status quo. In America it would be like making a public service announcement for the American Heart Association in which President Clinton is the victim of heart disease. It truly would make us change our health habits, but it would also be a statement about the artist's dislike for the American Government."
 Source: http://info-poland.buffalo.edu/classroom/poster/poster.html

"There was much to divide these artists as every one of them had arrived at his own idiom, immediately recognizable, even from a distance. But at the same time there was something very important to link them together, something that made the Polish school something real and distinct.
This can be attributed to the fact that all of them were painting ambitious posters, expecting of the public an understanding of the signs, symbols and allegories. Polish posters were not only pieces of art, but also intellectual labyrinths and games of hide-and-seek. Posters referred not only to emotions, but to intellect as well. Viewers were required to think."
 Source: http://www.polishposter.com/html/posterart.html

I have yet to do some research into the surreal stop-motion animation. I will post an update if I find some good info.

December 17, 2010

From Polish Paper Cutting to Album Covers

Charcoal, pencils and colored pencils have always felt more comfortable for me to use over a paintbrush.  Over time I've been able to refine my painting skills, but I always preferred the detail and versatility (and portability) of the pencil.  But at times I found myself limited by the pencils and wanting bold swaths of colors, without having to pick up a paintbrush.  So about seven years ago I started to experiment with cutting out some of my artwork in pencil/charcoal and mounting it. 
In this case, I used origami paper squares.  [Yes, I was an origami-folding nerd.  Still am on occasion!]...  




When I started painting more often in recent years, I found myself again combining different media, wanting the best of all worlds.  This time incorporating my photographs and mounting on canvases or panels.  I wanted the ultra-realism of the photos, the bold colors and textures of the paint and canvas, the detail of the pencils and charcoal, and exact paper-cutting to get the shapes, depth, and positive and negative spaces that I was after. 


"Lisboa 2": photo paper, acrylic, colored pencil on canvas


So where am I going with all this?  It took me a while to figure out where my preoccupation with intricate paper cutting was likely coming from: wycinanki [vee-chee-NAAN-key].  The curves, the colors, the symmetry, the detail...all mesmerizing, almost psychedelic.  Although I could never compete with these Artisans of the Colored Paper, I have since childhood admired them and it has slipped out of my subconscious into my artwork, albeit quite distortedly.
Some great examples of the Polish folk art of paper cutting:


          


      
                    













I bring this up now because I recently finished working on the album cover for my super-talented sister, Ashia Grzesik's, upcoming EP release...











We both decided separately and subconsciously that it should have a subtle Polish/Eastern European feel, so it includes some more obvious imagery along with what I will call "modern wycinanki".  It combines all of my favorite mediums: paper, colored pencil, charcoal, acrylic paint, photography.


A step-by-step of the process:


Working out the basic "bison" design on pen and paper... 
 



It wasn't until I was researching pictures of wycinanki for this post that I realized that maybe it wasn't such a random choice to do a semi-symmetrical design, as I had originally thought :)




Completed bison design with watercolor pencils and charcoal...

               


Most of the cutting done...


Framing the photo (The Dead Sea, taken June 2009)...





Photo and bison design mounted on the painted canvas...


It's funny how certain things from your childhood and cultural heritage creep in and infiltrate your creative labors without you realizing it, at least at first.  

May 11, 2009

On canvas...




“Red Hook 2”
Acrylic, colored pencil, and paper on canvas












“Most Grunwaldzki”
Acrylic, spray paint, and charcoal on canvas
Available for purchase here.












“Bogota”
Acrylic, pencil, charcoal, and butterfly wings on canvas
Available for purchase here.








"Lisboa 1"
Acrylic, charcoal, colored pencil on canvas











“Red Hook 1” 
Acrylic on canvas
Available for purchase here.